Ayaan Hirsi Ali, author of "Nomad - from Islam to America," discusses Muslim-sanctioned violence against critics and blasphemers with John Stossel on Fox Business Channel. As a result of the video which Ms. Ali produced with Theo van Gogh, in which shamed liturgically-sanctioned abuse of women under Islam, Ms. Ali lives under constant threat of death from Muslims.
She explains Comedy Central's imbroglio over South Park, which banned Mohammed, but slams on Jesus, Moses, and Israel in this DemoCast exclusive video:
Canadian editor, Ezra Levant, whose Western Standard magazine published 8 of the Danish cartoons in a story about the case, was prosecuted by the Alberta Human Rights Commission for hate-speech (likely to expose a person to hatred or contempt) in a 900-day "blasphemy" trial, in which he spent $100,000 on legal defense to avoid 9-months in prison.
Daniel Greenfield characterizes the problem in "Everybody Draw Mohammed" on Sultan Knish:
"What is freedom, if it is not the freedom to criticize, to ask questions and demand answers-- or to simply ridicule the high and mighty.
In the Dar Al Islam, for over a thousand years, that freedom has not existed. You could not question. Even today to question is to court a jail sentence, in even the "moderate" Muslim nations.
When Mohammed ordered the murders of poets and satirist who criticized him, he set the tone for over a millennium of bloodshed. The Muslim today who calls for the murder of cartoonists is not an extremists or a misrepresenter of Islam, he is following the conventional Islamic approach all the way back to the dawn of that faith under the guidance of its prophet.
And the media and Western defenders of Islam know it for the truth. If they truly believed that this was only the work of a tiny minority of extremists who could not tolerate free speech, why would they so aggressively censor it?
If it is only a tiny minority of extremists that are at fault, why did CNN and every major news organize refuse to show Mohammed cartoons, garbling them as if they were as offensive and unacceptable to them... as they are to Muslim believers?
When one examines actions and words, it is always the actions that tell the truth, not the words. When Comedy Central, which boasts of offending every religious group on earth, censors even the tamest and most disguised depictions of Mohammed, its actions speak or a deeper and more disturbing truth, than its words will reveal.
One does not fear this much or compromise this much in the face of a tiny minority of extremists. Not even if they are susceptible to bouts of hysterical violence. Violence after all comes with the territory.
How many media organizations are terrified of the tiny minorities of extremists that exist in most religions? The answer is very few. What is it that makes Islam special? Any honest foreign correspondent can answer that question easily enough.
Because it is not a tiny minority that they are dealing with. But a solid majority that is the product of a culture of religious indoctrination which is intolerant of free speech. And rather than confront this reality, they have chosen to run away and hide. Because confronting it would require addressing their own politics, which scapegoat national defense, while admiring Islamic radicalism. It is easier for them to silence themselves, than make the ideological sacrifices needed to deal with the threat to the underlying freedoms of the free world.
Everybody Draw Mohammed Day crowd-sources free speech by confronting the challenge that the mass media runs away from. It defends a heritage of free speech by vigorously confronting those who would deny it."
